{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fafikra.simplecast.com%2Fepisodes%2Fdaf-maknana-6JWB8l5y","width":444,"version":"1.0","type":"rich","title":"Maknana at DAF: Glossary of New Media Art From the Arab World | Ala Younis & Haytham Nawar","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/1ce0a58c-3e05-4d4b-a2e7-f3ffb869b215/29decdd8-9ed2-413f-87ee-5362994ea4a1/the_afikra_podcast.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/8a3cb41f-12d1-4b0a-99d1-5691a0c2ec1a\" height=\"200\" width=\"100%\" title=\"Maknana at DAF: Glossary of New Media Art From the Arab World | Ala Younis &amp; Haytham Nawar\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"Live from Diriyah Art Futures in Riyadh, we're joined by Haytham Nawar, the director of Diriyah Art Futures, and Ala Younis who co-curated its latest exhibition, which delves into the New Media Art scene in the Arab world. They explore the lack of recognition for Arab names in global media art history, discuss the significance of the word \"archeology\" in the exhibition's subtitle \"Maknana: An Archaeology of New Media Art in the Arab World\", and highlight contributions by artists like Lucien Samaha, the first person to click a digital image. The conversation also covers the generational and geographical aspects of New Media Art in the Arab world, and the challenges of curating such an exhibition. The episode provides an in-depth look at the themes, artists, and historical context behind the pioneering Diriyah Art Futures project."}