{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fdohafilm.simplecast.com%2Fepisodes%2Fzaina-bseiso-g_ueftpx","width":444,"version":"1.0","type":"rich","title":"Reflections on 15 years of Global South Cinema | Zaina Bseiso","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/1ce0a58c-3e05-4d4b-a2e7-f3ffb869b215/d2d2dfe7-11a9-4280-8c87-1e05e71b65c7/doha_film_festival_podcast_project_file.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/7fa6f9c7-ccba-45ae-a237-c674cb20fe2c\" height=\"200\" width=\"100%\" title=\"Reflections on 15 years of Global South Cinema | Zaina Bseiso\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"Behind the scenes of \"Atlas of Cinematic Affinities\", filmmaker and curator Zaina Bseiso reveals the obsessive process of distilling 15 years of the Doha Film Institute (DFI) into a visual history that feels more like a sensory experience than a book. We dive into the \"ships that keep on sailing\" metaphor which guided the book's design, moving away from dry chronologies to explore how 8,000 pages of raw filmmaker artifacts, from 3:00AM script scribbles to personal family portraits, build a collective map of regional and global cinema. Bseiso breaks down the miracle of independent filmmaking in the region, the DFI’s grassroots impact on local film acumen, and why the most powerful cinematic histories are built on shared affinities rather than just data points. From the haptic choice of tracing paper to matching the gaze of characters across pages, this conversation explores what it truly means to capture the motion, silence, and perseverance of a medium that refuses to stand still."}