{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fepisode-1-tosh-berman.simplecast.com%2Fepisodes%2Fepisode-29-jason-jules-4iHQ1fYg","width":444,"version":"1.0","type":"rich","title":"Episode 29: Jason Jules","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/c8efb7c5-8d25-4f5c-b2b2-b3f5865315f9/f9949ec5-4789-4924-8940-fa9c6f233704/big-table-small-yellow-bg-2-copy.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"","height":200,"description":"Jason Jules is a writer, blogger, stylist, brand consultant, and devotee of the Ivy look, albeit in a quite subverted form. \n\nThe face of Drakes of London and writer of the John Simons documentary film A Modernist, Jules is widely recognized as the most stylish man in London media and culture.\nDescribed by Complex magazine as having a style akin to a “living, breathing jazz song,” he is also the creator of the online and real-world style brand Garmsville.\nHis latest book, Black Ivy: A Revolt in Style, published by Reel Art Press, charts a period in American history when Black men across the country adopted a clothing style seen largely as the preserve of a privileged elite, and remade it for themselves. The Oxford button-down shirt, the hand-stitched loafer, the repp ties—these otherwise conventional clothes are donned with an approach so revolutionary, you won’t be able to see them the same way again.\n\nBlack Ivy is an art book about clothes, but it’s also about freedom—both individual and collective. From the most avant-garde jazz musicians, visual artists, and poets to the more influential architects, philosophers, political leaders, and writers, Black Ivy explores, for the first time, the major role this period of aspiration—and upheaval—played, and what these clothes said about the people who wore them.\nDermot McPartland, our Man in London, handled interviewing duties for this episode."}