{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Ffeminist-frequency-radio.simplecast.com%2Fepisodes%2Fffr-124-the-half-of-it-1qoZVbcs","width":444,"version":"1.0","type":"rich","title":"FFR 124: The Half of It","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/c6593818-d094-4c38-8d19-92aaa8565c0d/c2f1865b-9f43-458c-b303-1655dd718a12/ffr124-sq-thehalfofit.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/df48c395-2031-488c-bba3-a50fb16a7c3f\" height=\"200\" width=\"100%\" title=\"FFR 124: The Half of It\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"On this episode of Feminist Frequency Radio we take a look at The Half of It, the second film from Saving Face director Alice Wu. Available for streaming on Netflix, the film is a take on the classic-literature-as-teen-movie genre, reimagining Cyrano de Bergerac as wry, bookish teenager Ellie Chu, who reluctantly agrees to help charming but dim-witted Paul woo the girl that Ellie herself has a crush on. Join us as we examine how this film subverts expectations of the genre, telling a surprisingly multi-faceted story of teen angst. "}