{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fgrammar-girl-grammarpaloozian-bonus-feed.simplecast.com%2Fepisodes%2F1161-bonus-gyOP8gJ5","width":444,"version":"1.0","type":"rich","title":"How Comics Are Made, with Glenn Fleishman","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/144e46c6-af93-41fd-b037-2ab1fda9b542/ce075fd3-781a-43fb-9ef3-a465b9d2739d/grammar_girl_assets_templates_2_fb_ig_profile_picture_v1.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/9e05b08d-9701-4628-8199-ba218034aab1\" height=\"200\" width=\"100%\" title=\"How Comics Are Made, with Glenn Fleishman\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"In this week's bonus, Glenn Fleishman discusses the mechanical journey of a comic strip, from the cartoonist’s ink to the final newspaper page. We look at why Calvin and Hobbes creator Bill Watterson drew close to size to save money on paper and how a political resignation in 1973 led to a week of \"Doonesbury\" strips that never ran."}