{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fgrammar-girl-grammarpaloozian-bonus-feed.simplecast.com%2Fepisodes%2F1189-bonus-UchWbynt","width":444,"version":"1.0","type":"rich","title":"White space, writing challenges, and the grammar of what's left unsaid","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/144e46c6-af93-41fd-b037-2ab1fda9b542/ce075fd3-781a-43fb-9ef3-a465b9d2739d/grammar_girl_assets_templates_2_fb_ig_profile_picture_v1.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/6e2baa2c-6ac5-43b2-a4fc-a541fcf59a93\" height=\"200\" width=\"100%\" title=\"White space, writing challenges, and the grammar of what&apos;s left unsaid\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":" In this week's bonus, we continue our conversation with Grant Faulkner and look at how white space functions as a kind of grammar in narrative writing — creating texture, suspense, and an invitation for readers to become co-collaborators in a story. We look at Hemingway's Iceberg principle, the art of omission, and why trusting your reader matters more than you think. Then we look at writing challenges like Jan Your Story from Memoir Nation, and how the internet's \"little containers\" have fueled the rise of flash fiction. "}