{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fgrammar-girl-grammarpaloozian-bonus-feed.simplecast.com%2Fepisodes%2F1209-5YA_pRcK","width":444,"version":"1.0","type":"rich","title":"How comics are made, with Glenn Fleishman","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/144e46c6-af93-41fd-b037-2ab1fda9b542/ce075fd3-781a-43fb-9ef3-a465b9d2739d/grammar_girl_assets_templates_2_fb_ig_profile_picture_v1.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/331abe78-e842-416b-b1a8-580fafbd86ad\" height=\"200\" width=\"100%\" title=\"How comics are made, with Glenn Fleishman\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"1209. Glenn Fleishman discusses the mechanical journey of a comic strip, from the cartoonist’s ink to the final newspaper page. We look at why drawing close to size helped “Calvin and Hobbes” creator Bill Watterson save money, and how a political resignation in 1973 led to a week of \"Doonesbury\" strips that never officially ran. This episode originally ran back in February for the Grammarpaloozians who support the show. "}