{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fhellbentformetal.simplecast.com%2Fepisodes%2F9-between-the-balls-the-wall-and-me-LpQw9LDG","width":444,"version":"1.0","type":"rich","title":"#9 – Between The Balls, The Wall And Me","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/843e44fd-eeac-4a53-8b37-1b97cdbe2aed/1916eb71-a056-43f1-a9d3-6d21106b290c/hbfm-coverv2.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/59d3a559-2448-4a49-b8bb-3ca7d4da2998\" height=\"200\" width=\"100%\" title=\"#9 – Between The Balls, The Wall And Me\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"The queer look at heavy metal this week takes in both one of the 21st century's most forward thinking bands, and one of the greats of the classic era.\n\nOne of Between The Buried And Me's most madcap odysseys gets the Camp Classic treatment, and we discuss what that has to do with one of the key composers of the great American songbook.\n\nWe also look at how German greats Accept tried to look ultra metal, succeeded, but also ended up with some visuals that we couldn't possibly not misinterpret.\n\nPlus we've got the final round-up of our top albums of 2020, with deep dives into records from Ulcerate and Kassad. Also some entirely unavoidable double entendres."}