{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fquartertones.simplecast.com%2Fepisodes%2Fnasri-sayegh-quoz-arts-fest-2026-7nIAp7BU","width":444,"version":"1.0","type":"rich","title":"Visual Art, Beirut's Soundscape & the Struggle to Create | Nasri Sayegh Jr. at Quoz Arts Fest 2026","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/1ce0a58c-3e05-4d4b-a2e7-f3ffb869b215/f5738991-e57c-41b2-8197-4fc8d48be022/quartertones.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/685519bb-28cf-4e86-9729-ab05ddcf86fe\" height=\"200\" width=\"100%\" title=\"Visual Art, Beirut&apos;s Soundscape &amp; the Struggle to Create | Nasri Sayegh Jr. at Quoz Arts Fest 2026\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"Visual artist, performer, and DJ Nasri Sayegh Jr. discusses his practice and the profound influence of music on his work and life at Quoz Arts Fest 2026. He opens by sharing the urgent, improvised creation of his installation for the festival, \"You Ain't Never Been Blue,\" which features 100 suns drawn in one night in Beirut. He speaks candidly about the two-year hiatus he took from producing art due to the painful situation in Gaza and Lebanon, exploring the existential question of what art means today. He describes the daily struggle of making the emotional journey from his kitchen to his studio—a distance that felt like \"crossing hundreds of kilometers\" since October 7. The conversation also delves into his deep connection with music, exemplified by his creation of the community platform radiokarantina during the 2020 pandemic. The platform, named after an area in Beirut, grew from a simple joke among friends to a large party with mixes contributed globally, serving as a vital space for connection during periods of violence and uncertainty in Lebanon and Palestine. Nasri shares the music that shapes his soul, featuring tracks from Nina Simone, Billie Holiday, and the Rahbani Brothers, and reflects on the enduring role of Fairuz in the Lebanese soundscape."}