{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fquartertones.simplecast.com%2Fepisodes%2Frayess-bek-0Y9onNVe","width":444,"version":"1.0","type":"rich","title":"From Aks'ser to Rayess Bek | Rayess Bek ","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/1ce0a58c-3e05-4d4b-a2e7-f3ffb869b215/f5738991-e57c-41b2-8197-4fc8d48be022/quartertones.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/f3f5f298-6950-4c34-ae09-1cacb328e390\" height=\"200\" width=\"100%\" title=\"From Aks&apos;ser to Rayess Bek | Rayess Bek \" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"In this episode of the Quartertones podcast, we sat down with Rayess Bek (aka Wael Kodeih) to talk about his varied and vibrant musical career. As we traverse his music projects, personas and styles from over the years, the conversation explores the Lebanese music composer, producer, and performer's relationship with Lebanon, hip hop, history, war and colonialism. We listen to tracks from his beginnings with Aks'ser, his audiovisual performance Goodbye Schlöndorff which brings together audio tapes, musical composition and film sequences, and finally his solo endeavors as Rayess Bek."}