{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fstorynerd.simplecast.com%2Fepisodes%2Fa-most-wanted-man-why-now-A3ZaGy7g","width":444,"version":"1.0","type":"rich","title":"A Most Wanted Man: why now?","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/8843f46a-76a8-48c3-aa91-48d994c9c9c6/a1e2ae9a-adad-4a7a-9b0a-83ef77a17e34/story-nerd-trademark.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/0af0a364-ef47-46f7-b60c-5eae7b966e60\" height=\"200\" width=\"100%\" title=\"A Most Wanted Man: why now?\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"Readers are on a need to know basis. That means that, as storytellers, we only tell them what they need to know, and only when they need to know it. In this adaptation of John le Carre's novel, the filmmakers could have told us everything we needed to know about Issa in the first few minutes. Instead, they sprinkled the details a little bit at a time, and as a result, the audience's curiosity goes into overdrive.\n\nMelanie and I still think the book is better (shocker, right?), but this is a great episode to discover how to control the flow of information in a story. -V"}