{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fthe-political-scene-the-new-yorker.simplecast.com%2Fepisodes%2Fteju-cole-on-blackface-4wJL1_pY","width":444,"version":"1.0","type":"rich","title":"Teju Cole on Blackface","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/8eeafcc8-8451-4007-beb1-17cd72fab067/9595fdc3-f503-48b6-a118-0b400defdb09/square-icon-the-political-scene.png","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/a2e7d571-e10c-48ab-a09c-c0b3203b4bd9\" height=\"200\" width=\"100%\" title=\"Teju Cole on Blackface\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"<p><span>When depictions of Virginia politicians in blackface surfaced this month, the </span><em><span>New Yorker</span></em><span> contributor </span><a href=\"https://www.newyorker.com/contributors/teju-cole\"><span>Teju Cole</span></a><span> was unsurprised. “A white man of a certain age in the U.S.,” he reflects, “is found to have done something racist in his past; well, yes.” As a photographer and photo critic, he is acutely aware that a photograph captures the thinnest sliver of time, half a second or much less. So any photograph of a man in blackface—or in any other offensive image—always indicates that “there’s a lot more where that came from.”</span></p>\n<p><span>Cole maintains that Governor Ralph Northam’s resignation or persistence in office isn’t the point. Resignations, he says, can play the role of a valve, merely releasing pressure from a system that is intolerable. “Wealth inequality between black people and white people is cavernous,” Cole says. “And yet I don’t suppose most white Americans wake up in the morning and feel personally responsible for that state of affairs.”</span></p>"}