{"href":"https://api.simplecast.com/oembed?url=https%3A%2F%2Fwww.negrometraje.com%2Fepisodes%2Fel-otro-francisco-y-negrometraje-t7NQWWcF","width":444,"version":"1.0","type":"rich","title":"El Otro Francisco y Negrometraje","thumbnail_width":300,"thumbnail_url":"https://image.simplecastcdn.com/images/5444804e-a042-4741-8877-2ca1704d1875/cb023d21-e84d-46bd-bff9-36d0a07a85f8/9449ed32-1821-4369-9543-1612d18be011.jpg","thumbnail_height":300,"provider_url":"https://simplecast.com","provider_name":"Simplecast","html":"<iframe src=\"https://player.simplecast.com/9c7517c8-833f-4341-8609-8d04ebdf803f\" height=\"200\" width=\"100%\" title=\"El Otro Francisco y Negrometraje\" frameborder=\"0\" scrolling=\"no\"></iframe>","height":200,"description":"Negrometraje is a podcast that critically thinks and deconstructs Black representation in Latin American mass media and films. Negrometraje is a derogatory yet popular term that translates in English to “Black Feature Film.” We center our work on Caliban, a Shakespeare's character in the play \"The Tempest\". \n\nIn today’s episode, we discuss El Otro Francisco. This documentary drama by Sergio Girl tells the love story of Francisco and Dorothea and, the horrific reality of enslavement in 19th century Cuba. We discuss what is Negrometraje, its definition, and how we will use it. \n\nIt is Aimé Césaire's, A Tempest that lays the path that “dramatizes all four possible courses of action for the slaves: Collaboration, Opposition, Resistance, and Separatism”. \n\nProgram\n0:00: Prologue: from (Caliban: The Tempest)\n3:47: Preliminary Conversation: Negrometraje and Sergio Giral\n18:16: interlude: Una Mano con otra mano\n20:40: Pre-viewing discussion (Ripple affects of Haitian Revolution)\n31:02: Interlude: Crispin y la lluvia\n31:27: post-viewing discussion (Sugar economy, and slavery in Cuba)\n45:51: Caliban Theory\n50:56: Outro and Next feature film: Pelo Malo"}